The imagery overlaps because of basic rules of simplified images.
Perrott has been an artist for over fifteen years, initially beginning her career as a print maker, a skill that has served her well during that time. While she no longer considers herself a print maker, her woodcuts are incredibly similar to the art of printmaking. “The process I use is a reduction woodblock that I don't print,” says Perrott. “The block stands alone as the piece.”
Using a labor intensive process that takes hours upon hours to complete, the first step in creating her woodcuts starts out remarkably simply — with a sketch. “I draw my images first, then enlarge them to make a stencil for the wood. I then cut my shapes out of the wood and paint it black,” explains Perrott. “Then I use the stencil to lay the image on the block. From that point I carve in a reduction method. A lot of the image detail comes as I carve, meaning I have a plan, but it isn't physically visible — just the stencil structure is.”
But when all's said and done, and the last relief is finally cut out, its edges sanded and scraped into submission, what’s left is an unbelievably thoughtful piece of art. With each twist and turn of her woodworking tools, Perrott creates imaginative takes on classic tattoo imagery, that leaves you wishing that her website wasn’t completely sold out. But fear not, as she also does commissioned carvings, and frequently makes the rounds at tattoo conventions, always bringing her latest creations with her.
Perrott’s work is proof that beauty can be found in everything, even in a nondescript hunk of wood, if you only look hard enough.